tag:blogger.com,1999:blog-12274897957916614242024-03-13T02:25:58.681-04:00DAVID BRUCE STUDIOSAnonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.comBlogger151125tag:blogger.com,1999:blog-1227489795791661424.post-64758167188521039742011-05-28T15:39:00.002-04:002011-05-28T15:42:05.654-04:00New Work : Cognitive Landscape V2.0<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDk479x4MPGTntZnGy8_z2i-j-ICZbz7BvrBOBMQDMfkswUdoDoQAaQxZFDQGozjGTIMIkXshgYHUgc6cz7vQxhdYkA_0D2NvGaG4X0g94EpwiCAvHe1wIWnrGTpr2GU5yEnQgfpYWR-SY/s1600/DavidBruce_CLv2_01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDk479x4MPGTntZnGy8_z2i-j-ICZbz7BvrBOBMQDMfkswUdoDoQAaQxZFDQGozjGTIMIkXshgYHUgc6cz7vQxhdYkA_0D2NvGaG4X0g94EpwiCAvHe1wIWnrGTpr2GU5yEnQgfpYWR-SY/s640/DavidBruce_CLv2_01.jpg" width="640" /></a></div><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQCE1U2z3JDVCLcbyk1N57gJn8cnrrCj9YYcGPeL3OS-Klp5soO5Gj38B0AKJruXhaCv4ltihOQV0HUhTu0FdnixCzr27cHD8zIrIHYHF21YqNoskq2K9S38yp3_HSuCqlH1XvygPgfPGr/s1600/DavidBruce_CLv2_13.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQCE1U2z3JDVCLcbyk1N57gJn8cnrrCj9YYcGPeL3OS-Klp5soO5Gj38B0AKJruXhaCv4ltihOQV0HUhTu0FdnixCzr27cHD8zIrIHYHF21YqNoskq2K9S38yp3_HSuCqlH1XvygPgfPGr/s640/DavidBruce_CLv2_13.jpg" width="640" /></a></div>Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com2tag:blogger.com,1999:blog-1227489795791661424.post-46719452593668207252011-05-16T10:00:00.002-04:002011-05-16T10:00:01.803-04:00New Work : Thesis Exhibition & Reception @ Temple Gallery<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPp7j2AzaKMPetOHsI9ibaxUBD4X7okMw8khwGHWmURM9bEC4F9gVmyAdjzpfgiOxCtVc9AgXlOtKiQi0qevENkEVbuvJ0RxbCKapO0-I3SKtcdfxdQp0gm6Am9lfT5-cFQta_vQaNfItp/s1600/Thesis_PRCard_compound_600.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPp7j2AzaKMPetOHsI9ibaxUBD4X7okMw8khwGHWmURM9bEC4F9gVmyAdjzpfgiOxCtVc9AgXlOtKiQi0qevENkEVbuvJ0RxbCKapO0-I3SKtcdfxdQp0gm6Am9lfT5-cFQta_vQaNfItp/s1600/Thesis_PRCard_compound_600.jpg" /></a></div>Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-91920016696858107872011-05-09T23:34:00.001-04:002011-05-09T23:35:21.858-04:00New Site @ www.davidchristopherbruce.com<div class="separator" style="clear: both; text-align: center;"><img border="0" height="328" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxTol1TjcvthnJkDSh0CDBDDuBJACluid5roW4E59PGWTEP7MOvtM9JQVFIr8Y1fCxUbwYBHj_q26iREgYcvGe2sKF44cot3t29_2N-2xL6AP9-2ffwkerMMZcl5FlqqftCeqOZL8XMrte/s640/DCB_site.jpg" width="640" /><a href="http://www.davidchristopherbruce.com/">http://www.davidchristopherbruce.com</a></div>Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-75045167777824921072011-03-26T14:30:00.000-04:002011-03-26T14:30:27.874-04:00The Cognitive Landscape Project<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYyCJ8NK9SIhWyb_K2oxRDIropteIsMBHjR-TrlD6aL37Ezm8HzO2Z3DacHAhfREyiCAx4i2UY2FGghDpV8mNUEslCgiiShCXH2y9adQTsMgQsEYSVLMy2OV5enPLH66k9OBj9ICmNUrzn/s1600/TCLP_coverimg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="364" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYyCJ8NK9SIhWyb_K2oxRDIropteIsMBHjR-TrlD6aL37Ezm8HzO2Z3DacHAhfREyiCAx4i2UY2FGghDpV8mNUEslCgiiShCXH2y9adQTsMgQsEYSVLMy2OV5enPLH66k9OBj9ICmNUrzn/s640/TCLP_coverimg.jpg" width="640" /></a></div><br />
The Cognitive Landscape Project (TCLP) is a curatorial project exploring the combined affects of technology and systems for the representation of knowledge on environmental perception, cognition and the development of hybrid ecologies.<br />
<br />
The tumblr <a href="http://www.thecognitivelandscapeproject.tumblr.com/">site</a> functions as the “aggregate space” for related media, text and ideas.<br />
<strong><br />
</strong><br />
<strong>Cognitive Landscape: <span style="font-size: x-small; font-weight: normal;">(approaching a definition)</span></strong><br />
- noun<br />
1. A mental image representing or resembling a real or imagined environment.<br />
2. The anatomical/physiological make up of the brain and its cognitive agents.<br />
3. <span id="internal-source-marker_0.35977347580019103">Real world environments and their virtual or electronic analogues that together create hybrid ecological spaces and infrastructures in which data, information and knowledge is embedded and communicated through various user interfaces and processing systems. </span><br />
<br />
<span id="internal-source-marker_0.35977347580019103">More to come... </span>Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-74525498409342078112011-03-06T13:15:00.001-05:002011-03-11T13:19:07.942-05:00Studio Update: 03.06.11 : AdjustmentsI am in the process of readjusting. David Bruce Studios will remain the umbrella for my efforts however I will be using other platforms to better organize and provide access to those things I find interesting and to focus the writing and research on various projects. Projects will be given there own site/blog/tumblr... presence with all relevant info posting as necessary to respective sites. DBS will channel all broader efforts. The details will work itself out over time. Sorry if it gets confusing for a bit.<br />
<br />
Simply put... I think. A brief breakdown.... <br />
<br />
<a href="http://davidbrucestudios.tumblr.com/">Tumblr</a>: Will be used for random daily(ish) general sources of inspiration.<br />
<a href="http://twitter.com/dbrucestudios">Twitter</a>: Will basically cover what tumblr does and do what twitter does also. <br />
<a href="http://www.pearltrees.com/#/N-u=1_258727&N-s=1_2610869&N-f=1_2610869&N-p=18915418&N-reveal=5&N-fa=2610859">Pearltrees</a>: Will cover the network of efforts. <br />
<a href="http://www.google.com/reader/shared/DavidBruceStudios">Reader:</a> Will cover shared blogposts of interest from my google reader. <br />
<a href="http://www.davidbrucestudios.blogspot.com/">Blogger</a>: Will be cover broader full spectrum of my practice.<br />
<a href="http://www.davidbrucestudios.com/">DavidBruceStudios</a>: Will be a hub but is going to get a major overhaul after graduation.<br />
<a href="http://www.davidchristopherbruce.com/">DavidChristopherBruce</a>: Breaking off soon..Will be solely focused on the portfolio and exhibitions. Site will open at the end of the summer.<br />
<br />
Future project sites will open as necessary.Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-27122098628841941232011-03-04T15:29:00.008-05:002011-03-04T19:36:17.053-05:00David Bruce Studios @ Pearl Trees & Tumblr<object width="660" height="450" id="pt-embed-2610869-210-object" type="application/x-shockwave-flash" data="http://cdn.pearltrees.com/s/embed/getApp"><param name="flashvars" value="lang=en_US&embedId=pt-embed-2610869-210&treeId=2610869&pearlId=18915418&treeTitle=DavidBrucesStudios&site=www.pearltrees.com%2F" /><param name="movie" value="http://cdn.pearltrees.com/s/embed/getApp" /><param name="wmode" value="opaque" /><param name="allowscriptaccess" value="always" /><strong><a href="http://www.pearltrees.com/pearls/18915418/" title="DavidBrucesStudios" style="text-decoration:underline;">DavidBrucesStudios</a></strong></object>Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-73092811616568733922011-02-03T15:28:00.002-05:002011-02-03T15:29:38.366-05:00Studio Update: 02.04.11 : Early work in progress<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxWHHhQC8VgiPQboWlEqacp71GaYVR2ktAo-IW_05lwuiO1NU_RELS361CN2NOZivD_btDo-cuMl1Efi70cPGdvfvNS25Y7U-Xj0FlW4hKEHgVJXWMlZeWUUCWfYaW1WtRTDNan-idaaC6/s1600/IMAG0114_0037.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxWHHhQC8VgiPQboWlEqacp71GaYVR2ktAo-IW_05lwuiO1NU_RELS361CN2NOZivD_btDo-cuMl1Efi70cPGdvfvNS25Y7U-Xj0FlW4hKEHgVJXWMlZeWUUCWfYaW1WtRTDNan-idaaC6/s640/IMAG0114_0037.jpg" width="640" /></a></div>Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-36470376412962150212010-10-27T09:46:00.000-04:002010-10-27T09:46:33.516-04:00Studio Update : Video Drawing : 10.27.10<iframe frameborder="0" height="300" src="http://player.vimeo.com/video/16226557" width="400"></iframe><br />
<a href="http://vimeo.com/16226557">Cognitive Landscape : Drawings</a> from <a href="http://vimeo.com/davidbruce">David Bruce</a> on <a href="http://vimeo.com/">Vimeo</a>.Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-66022103053267183082010-10-10T14:49:00.003-04:002010-10-10T23:28:18.578-04:00Guest Post @ Urban Tick : An Ecology of Space : Periplastic<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibEAS-Ge3fPpeLQovbmdgmc6E4v7Eb9hH-KkMSdnsQ4KeOYAjoeYdrUuheXDNTchbKW4EmWBHUXGUV1QjWmQcvaynQpeoR2qqsvLO3I_Wy_zviE8CfzWETT2lq6wNCtp2GApShAEnyi5NT/s640/gordon_matta-clark.jpg" style="margin-left: auto; margin-right: auto;" width="572" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(Gordon Matta-Clark; Building Cuts; 1970's)</td></tr>
</tbody></table><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibEAS-Ge3fPpeLQovbmdgmc6E4v7Eb9hH-KkMSdnsQ4KeOYAjoeYdrUuheXDNTchbKW4EmWBHUXGUV1QjWmQcvaynQpeoR2qqsvLO3I_Wy_zviE8CfzWETT2lq6wNCtp2GApShAEnyi5NT/s1600/gordon_matta-clark.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a></div><br />
<br />
In light of a recent <a href="http://ecologicalurbanism.gsd.harvard.edu/">publication</a> by Harvard's Graduate School of Design a second series of discussions surrounding Ecological Urbanism is currently underway. Having been asked to contribute to this discussion I am happy to say that I will be sharing a few posts here over the next few weeks that fall outside of the scope of our current focus on space in the city. These extras are the result of my wanderings through ideas related to urbanism while I was developing the main post.<br />
<br />
My initial contribution to <a href="http://urbantick.blogspot.com/">urbanTick</a>; one of host sites for the series. It can be found here: <a href="http://urbantick.blogspot.com/2010/10/periplastic.html">Periplastic</a>. <br />
<br />
"The second series is hosted by <a href="http://urbanlabglobalcities.blogspot.com/">Annick Labeca</a>, <a href="http://www.dpr-barcelona.com/index.php?/projects/dpr-fuzzy-blog/">DPR-Barcelona</a>, Taneha Bacchin and <a href="http://urbantick.blogspot.com/">urbanTick</a>. The posts will rotate between the three platforms of <a href="http://urbanlabglobalcities.blogspot.com/">Urban Lab Global City</a>, <a href="http://www.dpr-barcelona.com/index.php?/projects/dpr-fuzzy-blog/">DPR-Barcelona</a> and <a href="http://urbantick.blogspot.com/">urbanTick</a>."Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-45632802009820182422010-10-06T12:07:00.000-04:002010-10-06T12:07:00.689-04:00Paul McCarthy: Three Sculptures / Inaugural Exhibition at L&M Arts Gallery, Los Angeles<embed src="http://blip.tv/play/gjCCgdASAg%2Em4v" type="application/x-shockwave-flash" width="480" height="299" allowscriptaccess="always" allowfullscreen="true"></embed>Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-54895348862255975512010-09-21T23:11:00.000-04:002010-09-21T23:11:28.199-04:00More photos from the Venice Biennale<a href="http://www.archdaily.com/77905/photos-from-the-venice-biennale/">More photos from the Venice Biennale</a>: "<div style="width: 538px;"><a rel="attachment wp-att-77909" href="http://www.archdaily.com/77905/photos-from-the-venice-biennale/andresjaque/"><img title="AndresJaque" src="http://www.archdaily.com/wp-content/uploads/2010/09/1284416534-andresjaque-528x351.jpg" alt="" height="351" width="528" /></a><p>© Patricia Parinejad</p></div><p>A couple of weeks ago we showed you some <a href="http://www.archdaily.com/75988/update-from-the-venice-biennale-by-marco-zanta/">photos of the Biennale by Marco Zanta</a>. Today, photographer <a href="http://www.patriciaparinejad.com/"><strong>Patricia Parinejad</strong></a> sent us more pictures from different installations at the Venice <a href="http://www.archdaily.com/tag/biennale/" rel="tag" title="Posts tagged with Biennale">Biennale</a>. Check them after the break.<span></span></p><a href="http://www.archdaily.com/77905/photos-from-the-venice-biennale/white2/" title="White2"><img src="http://www.archdaily.com/wp-content/uploads/2010/09/1284416594-white2-528x351.jpg" alt="White2 Sculptures by Aranda / Lasch - © Patricia Parinejad" title="White2" height="351" width="528" /></a> <a href="http://www.archdaily.com/77905/photos-from-the-venice-biennale/white1/" title="White1"><img src="http://www.archdaily.com/wp-content/uploads/2010/09/1284416591-white1-333x500.jpg" alt="White1 Sculptures by Aranda / Lasch - © Patricia Parinejad" title="White1" height="500" width="333" /></a> <a href="http://www.archdaily.com/77905/photos-from-the-venice-biennale/neon3/" title="Neon3"><img src="http://www.archdaily.com/wp-content/uploads/2010/09/1284416588-neon3-528x351.jpg" alt="Neon3 Neon Installation by Cerith Wyn Evans - © Patricia Parinejad" title="Neon3" height="351" width="528" /></a> <a href="http://www.archdaily.com/77905/photos-from-the-venice-biennale/neon2/" title="Neon2"><img src="http://www.archdaily.com/wp-content/uploads/2010/09/1284416583-neon2-528x351.jpg" alt="Neon2 Neon Installation by Cerith Wyn Evans - © Patricia Parinejad" title="Neon2" height="351" width="528" /></a> <a href="http://www.archdaily.com/77905/photos-from-the-venice-biennale/neon1/" title="Neon1"><img src="http://www.archdaily.com/wp-content/uploads/2010/09/1284416578-neon1-333x500.jpg" alt="Neon1 Neon Installation by Cerith Wyn Evans - © Patricia Parinejad" title="Neon1" height="500" width="333" /></a> <a href="http://www.archdaily.com/77905/photos-from-the-venice-biennale/czech5/" title="Czech5"><img src="http://www.archdaily.com/wp-content/uploads/2010/09/1284416573-czech5-332x500.jpg" alt="Czech5 Czech Pavilion - © Patricia Parinejad" title="Czech5" height="500" width="332" /></a> <a href="http://www.archdaily.com/77905/photos-from-the-venice-biennale/czech4/" title="Czech4"><img src="http://www.archdaily.com/wp-content/uploads/2010/09/1284416567-czech4-332x500.jpg" alt="Czech4 Czech Pavilion - © Patricia Parinejad" title="Czech4" height="500" width="332" /></a> <a href="http://www.archdaily.com/77905/photos-from-the-venice-biennale/czech3/" title="Czech3"><img src="http://www.archdaily.com/wp-content/uploads/2010/09/1284416561-czech3-332x500.jpg" alt="Czech3 Czech Pavilion - © Patricia Parinejad" title="Czech3" height="500" width="332" /></a> <a href="http://www.archdaily.com/77905/photos-from-the-venice-biennale/czech2/" title="Czech2"><img src="http://www.archdaily.com/wp-content/uploads/2010/09/1284416553-czech2-332x500.jpg" alt="Czech2 Czech Pavilion - © Patricia Parinejad" title="Czech2" height="500" width="332" /></a> <a href="http://www.archdaily.com/77905/photos-from-the-venice-biennale/czech1/" title="Czech1"><img src="http://www.archdaily.com/wp-content/uploads/2010/09/1284416545-czech1-332x500.jpg" alt="Czech1 Czech Pavilion - © Patricia Parinejad" title="Czech1" height="500" width="332" /></a> <a href="http://www.archdaily.com/77905/photos-from-the-venice-biennale/andresjaque/" title="AndresJaque"><img src="http://www.archdaily.com/wp-content/uploads/2010/09/1284416534-andresjaque-528x351.jpg" alt="AndresJaque © Patricia Parinejad" title="AndresJaque" height="351" width="528" /></a> <a href="http://www.archdaily.com/77905/photos-from-the-venice-biennale/andresjaque2/" title="AndresJaque2"><img src="http://www.archdaily.com/wp-content/uploads/2010/09/1284416538-andresjaque2-528x351.jpg" alt="AndresJaque2 Installation by Andres Jaque Architects - © Patricia Parinejad" title="AndresJaque2" height="351" width="528" /></a><div style="padding: 2px; background: none repeat scroll 0% 0% rgb(232, 240, 249); border: 1px solid rgb(204, 204, 204); clear: both;"><p style="margin: 2px;"><a href="http://www.archdaily.com/77905/photos-from-the-venice-biennale/" style="color: rgb(3, 125, 188);">More photos from the Venice Biennale</a> originally appeared on <b><a href="http://www.archdaily.com/" style="color: rgb(3, 125, 188);">ArchDaily, the most visited architecture website</a></b> on 15 Sep 2010.</p><p style="margin: 0px 5px 5px 0px; text-align: right;"><a href="http://twitter.com/home?status=More+photos+from+the+Venice+Biennale%20http://www.archdaily.com/?p=77905" style="color: rgb(3, 125, 188);">send to Twitter</a> | <a href="http://www.facebook.com/sharer.php?u=http://www.archdaily.com/77905/photos-from-the-venice-biennale/&t=More%20photos%20from%20the%20Venice%20Biennale" style="color: rgb(3, 125, 188);">Share on Facebook</a> | <a href="http://www.archdaily.com/?p=77905#comments" style="color: rgb(3, 125, 188);">What do you think about this?</a></p></div>"Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-59128608398737045522010-09-03T12:37:00.000-04:002010-09-03T12:37:17.057-04:00Studio Update : New Work : 09.03.10<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkopoUJTUE8jmGMoZNGAn-NHK-9vRaaklSs6jOW8uSZY74X34h6RvxJdWPp6mdRDqrZcGBLIr5cSdokTmu11RbsRm0fTJu7lBQlPzXNEFXWEkqfFo0pyh50kLoqwktlE6AwsGxTATVMax-/s1600/Constructing_Sea_0005.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="347" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkopoUJTUE8jmGMoZNGAn-NHK-9vRaaklSs6jOW8uSZY74X34h6RvxJdWPp6mdRDqrZcGBLIr5cSdokTmu11RbsRm0fTJu7lBQlPzXNEFXWEkqfFo0pyh50kLoqwktlE6AwsGxTATVMax-/s400/Constructing_Sea_0005.jpg" width="400" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPaNFuIXHkgkNRwy_iltqdg9zUuDgNLNNz6HwwwQdl_W4Jk9ArrOXhBNaMEQDBDyvujpQYh9Mw_5bc5adI-6zrkymzYplpX7QYRJU7IgHAHrZyJkciXRgurKDTXeNDOx6kvNdlea3nRte1/s1600/Constructing_Sea_0018.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPaNFuIXHkgkNRwy_iltqdg9zUuDgNLNNz6HwwwQdl_W4Jk9ArrOXhBNaMEQDBDyvujpQYh9Mw_5bc5adI-6zrkymzYplpX7QYRJU7IgHAHrZyJkciXRgurKDTXeNDOx6kvNdlea3nRte1/s400/Constructing_Sea_0018.jpg" width="400" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL6bUsDXYpGzQvAA0yMXU6CsAVEyi6OQQJy58aWH0G9hTQcu31za5Wmd5ZwNrPHMSM1hFhZRAcVFZ2fDO-IM8DaCBdp6Fztclon_gGC1Gmhk6nOKQcIsEi_cDKZMr1UnL7MlOZh3kcHz8O/s1600/Constructing_Sea_0021.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL6bUsDXYpGzQvAA0yMXU6CsAVEyi6OQQJy58aWH0G9hTQcu31za5Wmd5ZwNrPHMSM1hFhZRAcVFZ2fDO-IM8DaCBdp6Fztclon_gGC1Gmhk6nOKQcIsEi_cDKZMr1UnL7MlOZh3kcHz8O/s400/Constructing_Sea_0021.jpg" width="322" /></a></div>Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-70646998644647589132010-08-23T14:49:00.003-04:002010-09-02T09:29:34.836-04:00Studio Update : New Work : 08.23.10<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2FtTfeSRAaZJF83kv2_ecD1FTqDaPG-8iYzeNYEQupVXuj5XchqniGodt2qXq52JY31XI7va3yY9pTHwKHNgUXMHSbDhZWAIy0cNyfq4T3tiTILAKKS_6Z6tc29qVTzLJOvm5dT5KB6yJ/s1600/TIN_Stone_0010.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2FtTfeSRAaZJF83kv2_ecD1FTqDaPG-8iYzeNYEQupVXuj5XchqniGodt2qXq52JY31XI7va3yY9pTHwKHNgUXMHSbDhZWAIy0cNyfq4T3tiTILAKKS_6Z6tc29qVTzLJOvm5dT5KB6yJ/s400/TIN_Stone_0010.jpg" width="400" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOOapUbXDeXlNVcyzYhY5g1kG5VGmVIY_O1l29SdMZfHKZSiw0zJkQ1-2WhZfjC-162CJ-vqcKbcq1up563HvHI0z49gKsofQN1XDATN4eows10W16OXtbKIgdaiXIWWbaJtpg7LNsE6FT/s1600/TIN_Stone_0012.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOOapUbXDeXlNVcyzYhY5g1kG5VGmVIY_O1l29SdMZfHKZSiw0zJkQ1-2WhZfjC-162CJ-vqcKbcq1up563HvHI0z49gKsofQN1XDATN4eows10W16OXtbKIgdaiXIWWbaJtpg7LNsE6FT/s400/TIN_Stone_0012.jpg" width="400" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihUjXDn0NVtRbP945C_b8919LYPdlvX4cCKrrBdoXpMPkEkLD5RXFdOWgkCBaVB78iuXWYK36qJV1TN9nS8Qxd75K8rJj9vtHzVG1-CKkv0LKbbk41b0DnTz2YRJDe2NapnITbdGEUlq8r/s1600/TIN_Stone_0002.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihUjXDn0NVtRbP945C_b8919LYPdlvX4cCKrrBdoXpMPkEkLD5RXFdOWgkCBaVB78iuXWYK36qJV1TN9nS8Qxd75K8rJj9vtHzVG1-CKkv0LKbbk41b0DnTz2YRJDe2NapnITbdGEUlq8r/s400/TIN_Stone_0002.jpg" width="358" /></a></div>Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-79732422207517996432010-08-14T14:17:00.001-04:002010-08-14T14:19:28.880-04:00Cloud Cities : Yang Yongliang<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPPZxyXlKgd60HSflHxDG8XMGzSTyWgPkLJxKx38HpZ_P_82yLMB-M7WorRVzh96MMfvaikzNskrW8vIPz69FWnymI2H7CfGWpX7gGXxy04KnmVSefoffpjdcWuqs5OrM3rsjoYCMLPjXt/s1600/yangyongliang2.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPPZxyXlKgd60HSflHxDG8XMGzSTyWgPkLJxKx38HpZ_P_82yLMB-M7WorRVzh96MMfvaikzNskrW8vIPz69FWnymI2H7CfGWpX7gGXxy04KnmVSefoffpjdcWuqs5OrM3rsjoYCMLPjXt/s400/yangyongliang2.jpg" style="display: block; height: 400px; margin: 0px auto 10px; text-align: center; width: 238px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyMIalj5lCwERZA1lZSw7lEWe1MlgDrBUJcQXIn1TLjgmQXze52-bU-fYNQ4z99zH7K4pluJ69XQNnVk9w2klMHeserkLGlYBgXihFCMHQCdm33bI_7_u2igCgwO6j6tZ5bqhggxLmngd-/s1600/yangyongliang1.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyMIalj5lCwERZA1lZSw7lEWe1MlgDrBUJcQXIn1TLjgmQXze52-bU-fYNQ4z99zH7K4pluJ69XQNnVk9w2klMHeserkLGlYBgXihFCMHQCdm33bI_7_u2igCgwO6j6tZ5bqhggxLmngd-/s400/yangyongliang1.jpg" style="display: block; height: 400px; margin: 0px auto 10px; text-align: center; width: 238px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMcgs06lG5vpLzGwz3sJyJWCm2u27GSa8cGT3dAw8v2425guRs5dR_uQ9l70rO4IOzr750tNZtjMQZLXN7Iooeb1gP4SOstrFbjA84B6aUKFDb96d1ejPLb9x5_N-KRwMzJpaXbhxJvWw9/s1600/yangyongliang3.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMcgs06lG5vpLzGwz3sJyJWCm2u27GSa8cGT3dAw8v2425guRs5dR_uQ9l70rO4IOzr750tNZtjMQZLXN7Iooeb1gP4SOstrFbjA84B6aUKFDb96d1ejPLb9x5_N-KRwMzJpaXbhxJvWw9/s400/yangyongliang3.jpg" style="display: block; height: 400px; margin: 0px auto 10px; text-align: center; width: 237px;" /></a><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYyAiSbqfgOk_LirvJasRogAfjOHFGAVO4QxV38uu3GX3y28J8lUUH6-Xd-2mnEML_dimuL6LhEUKG50QyIsC6rrYUV8P0BYsdmlc-TOKsuXVpH3rnhOhco_K94VLpPtYAV1ks7gYd_fz0/s1600/yangyongliang4.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYyAiSbqfgOk_LirvJasRogAfjOHFGAVO4QxV38uu3GX3y28J8lUUH6-Xd-2mnEML_dimuL6LhEUKG50QyIsC6rrYUV8P0BYsdmlc-TOKsuXVpH3rnhOhco_K94VLpPtYAV1ks7gYd_fz0/s400/yangyongliang4.jpg" style="display: block; height: 129px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_ZyW2CvggFTa4V5p4X03Ss_Sp0fs-PwoUf6NNwWpEKEGBC8VtBrTXuBtYvrj9t1h1bCjMuJfgtAkqTU-1AFe06rYDRVkSqItqr4gq-5XN6KiG3sWjk_3b3hiMW9mPeaXPQBLhpm1z2fYk/s1600/yangyongliang6.jpg"><img alt="" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_ZyW2CvggFTa4V5p4X03Ss_Sp0fs-PwoUf6NNwWpEKEGBC8VtBrTXuBtYvrj9t1h1bCjMuJfgtAkqTU-1AFe06rYDRVkSqItqr4gq-5XN6KiG3sWjk_3b3hiMW9mPeaXPQBLhpm1z2fYk/s400/yangyongliang6.jpg" style="display: block; height: 391px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><br />
<div><img alt="" height="1" src="https://blogger.googleusercontent.com/tracker/3455176746202008323-1154015550506485558?l=boiteaoutils.blogspot.com" width="1" /></div>"Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-41977140999577441792010-08-02T17:00:00.000-04:002010-08-02T17:00:26.779-04:00Transcendent City<a href="http://bldgblog.blogspot.com/2010/08/transcendent-city.html">Transcendent City</a>: "<br /><br />Richard Hardy, a recent graduate from the <a href="http://www.bartlett.ucl.ac.uk/index.php">Bartlett School of Architecture</a> in London, produced this eye-popping video—exploring an all-encompassing machine-forest populated with mechanical flowers and fluttering urban biotechnologies, with architectural sponges perched high atop masts—for Nic Clear's <a href="http://www.bartlett.ucl.ac.uk/architecture/programmes/units/unit15.htm">Unit 15</a>.<br /><br />Called <a href="http://vimeo.com/13296635"><i>The Transcendent City</i></a>, the film documents what Hardy describes as 'an autonomous artificial machine that extends across the earth adapting to the natural eco-systems it encounters while deriving its energy from the renewable resources available at each particular site. The systems desire is to maintain homeostasis within itself whilst maintaining homeostasis within the greater system, Gaia. Its processes are engineered on the molecular scale by nano technologies controlled by molecular computers that monitor and analyse the environment.'<br /><br />You can see a handful of Dr. Seussian stills from the film over on Hardy's <a href="http://www.flickr.com/photos/52196289@N07/sets/72157624410703953/">Flickr stream</a>.<div><img src="https://blogger.googleusercontent.com/tracker/8663346-8358362027114173460?l=bldgblog.blogspot.com" alt="" height="1" width="1" /></div>"Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-1199286638311105522010-06-18T12:11:00.001-04:002010-06-18T12:11:46.463-04:00Conversations: Continued / PRAXIS + PS1 MoMA Symposium<a href="http://feedproxy.google.com/%7Er/ArchDaily/%7E3/dOipEbzmUAY/">Conversations: Continued / PRAXIS + PS1 MoMA Symposium</a>: "<br />
<a href="http://www.praxisjournal.net/home.htm"><img alt="" height="188" src="http://www.archdaily.com/wp-content/uploads/2010/06/1276809421-praxis-ps1-symposium-528x188.jpg" title="PRAXIS_PS1_Symposium" width="528" /></a><br />
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The symposium marks the release of the 11 Architects + 12 Conversations issue of <a href="http://www.praxisjournal.net/home.htm">PRAXIS</a>: a journal of writing and building. The moderated discussion will invite audience participation in an open dialogue that explores shared and contested territory among this emerging generation of practices.<br />
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The symposium, “Conversations: Continued”, brings together 10 Young Architectural Practices: <a href="http://www.mos-office.net/">MOS</a>, <a href="http://www.narchitects.com/">NArchitects</a>, <a href="http://work.ac/">WORKac</a>, <a href="http://www.p-a-t-t-e-r-n-s.net/index_alternate.html">PATTERNS</a>, <a href="http://beta.arandalasch.com/">Aranda/Lasch</a>, <a href="http://productora-df.com.mx/">Productora</a>, FAR, <a href="http://www.generaldesignbureau.com/gdbpage.html">Ciro Najle</a>, <a href="http://www.thelivingnewyork.com/">The Living</a>, and <a href="http://www.hyarchitecture.com/">Howeler +Yoon</a> with two critics, Timothy Hyde and Lucia Allais. The event continues the more formal discussion begun in PRAXIS 11, 11 Architects/12 Conversations, by bringing the firms together in a shared conversation, broadening the issues at stake, and sharing the material with a wider architectural and public audience.<br />
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The symposium will take place next Friday, June 25, from 12:30 till 6 pm at P.S.1 Contemporary Art Center in Queens. For further information and schedule, go to <a href="http://www.praxisjournal.net/home.htm">http://www.praxisjournal.net/home.htm</a>.<br />
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<a href="http://feeds.feedburner.com/%7Eff/ArchDaily?a=dOipEbzmUAY:FJtysveupqI:yIl2AUoC8zA"><img border="0" src="http://feeds.feedburner.com/%7Eff/ArchDaily?d=yIl2AUoC8zA" /></a> <a href="http://feeds.feedburner.com/%7Eff/ArchDaily?a=dOipEbzmUAY:FJtysveupqI:gIN9vFwOqvQ"><img border="0" src="http://feeds.feedburner.com/%7Eff/ArchDaily?i=dOipEbzmUAY:FJtysveupqI:gIN9vFwOqvQ" /></a> <a href="http://feeds.feedburner.com/%7Eff/ArchDaily?a=dOipEbzmUAY:FJtysveupqI:qj6IDK7rITs"><img border="0" src="http://feeds.feedburner.com/%7Eff/ArchDaily?d=qj6IDK7rITs" /></a> <a href="http://feeds.feedburner.com/%7Eff/ArchDaily?a=dOipEbzmUAY:FJtysveupqI:V_sGLiPBpWU"><img border="0" src="http://feeds.feedburner.com/%7Eff/ArchDaily?i=dOipEbzmUAY:FJtysveupqI:V_sGLiPBpWU" /></a></div><img height="1" src="http://feeds.feedburner.com/%7Er/ArchDaily/%7E4/dOipEbzmUAY" width="1" />"Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-1665635391930828782010-06-14T11:53:00.001-04:002010-06-14T11:57:24.156-04:00Ephemicropolis - A city scape all stapled<a href="http://urbantick.blogspot.com/2010/06/ephemicropolis-city-scape-all-stapled.html">Ephemicropolis - A city scape all stapled</a>: "THe city scape of Ephemicropolis was an installation y the artist <a href="http://www.peterroot.com/">Peter Root</a> made from around 100'000 staples. The installation shown here took about 40 hours to set up, see 'the making of' below. Root graduated from the Fine Art BA Hons at University College Falmouth in 2000. Its amazing how this models the way we perceive the city and the building structure as a sort of abstraction. From the stationary cupboard to the Streets of the world.<br />
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<a href="http://www.peterroot.com/files/ephemicropolis4.jpg" title="Ephemicropolis by Peter Root"><br />
<img alt="Ephemicropolis by Peter Root" height="875" src="http://www.peterroot.com/files/ephemicropolis4.jpg" width="580" /></a><br />
<small><small>Image by <a href="http://www.peterroot.com/index.php?/projects/ephemicropolis/">Peter Root</a> / Detail Ephemicropolis.<br />
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Found via </small></small><a href="http://urbantick.blogspot.com/2010/06/ephemicropolis-city-scape-all-stapled.html">Urban Tick</a>Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-1195874879421107972010-06-09T14:39:00.001-04:002010-06-09T14:40:33.787-04:00Why there's no art without architecture | Jonathan Jones<a href="http://www.guardian.co.uk/artanddesign/jonathanjonesblog/2010/jun/08/art-architecture-zaha-hadid">Why there's no art without architecture | Jonathan Jones</a>: "<br />
<div><img alt="" height="1" src="http://hits.guardian.co.uk/b/ss/guardiangu-feeds/1/H.20.4/82043?ns=guardian&pageName=Why+there%27s+no+art+without+architecture+%7C+Jonathan+Jones%3AArticle%3A1409611&ch=Art+and+design&c3=GU.co.uk&c4=Art+%28visual+arts+only%29%2CArchitecture%2CZaha+Hadid%2CArt+and+design%2CMuseums+%28Culture%29%2CCulture+section&c6=Jonathan+Jones&c7=10-Jun-08&c8=1409611&c9=Article&c10=Blogpost&c11=Art+and+design&c13=&c25=Jonathan+Jones+blog&c30=content&h2=GU%2FArt+and+design%2Fblog%2FJonathan+Jones+on+art" width="1" /></div>Contemporary visual art amounts to little without the architecture that surrounds it. Maybe we art critics have been looking at the wrong stuff<br />
Is there any difference between art and architecture? I'm wondering this after writing a feature that was as much about architecture as 'art' – and in envy of architectural critics off to Rome to see <a href="http://www.guardian.co.uk/artanddesign/www.guardian.co.uk/artanddesign/2010/jun/06/maxxi-rome-zaha-hadid" title="">Zaha Hadid's latest wonder, the Maxxi</a>. It is impossible to conceive of the history of art in exclusion from that of architecture. If you were writing about the Baroque style, or the Arts and Crafts movement, or any other major cultural era: just to write about paintings and sculpture and ignore the buildings they were created for would be to trivialise the subject. It's the same today.<br />
What will future cultural historians say about the arts in our time? They will almost certainly see architecture as the backbone of visual culture in the early 2000s. A brilliant moment in museum architecture (they will write), from <a href="http://www.guardian.co.uk/artanddesign/2007/oct/08/architecture.bilbao" title="">Frank Gehry's Guggenheim</a> to Zaha Hadid's Roman gallery, was a significant event in early 21st-century art. Visiting a museum became an enjoyment of grand space, a cubist exploration of architectural complexity.<br />
It might have been a great moment in serious visual culture – but it was one that produced few artistic masterpieces in the conventional sense. The best art – from <a href="http://www.martincreed.com/works/workno227.html" title="">Martin Creed's The Lights Going On and Off</a> to <a href="http://www.guardian.co.uk/artanddesign/2009/dec/08/richard-wright" title="">Richard Wright's elusive wall paintings</a> – simply and eloquently comment on the architecture it graces.<br />
Just as 17th-century Baroque paintings are most moving in the context of the architectural and decorative ensembles of southern Italian churches, so the cultural historians of tomorrow will see the art of our day as inseparable from its settings. Art critics might look a bit silly, always reviewing 'art' in an age when visual art is so architectural. Art may not be where art is at. All too often, we are reviewing the carpets, and saying nothing about the construction of the house.<br />
<div style="float: left; margin-bottom: 10px; margin-right: 10px;"><ul><li><a href="http://www.guardian.co.uk/artanddesign/art">Art</a></li>
<li><a href="http://www.guardian.co.uk/artanddesign/architecture">Architecture</a></li>
<li><a href="http://www.guardian.co.uk/artanddesign/zaha-hadid">Zaha Hadid</a></li>
<li><a href="http://www.guardian.co.uk/culture/museums">Museums</a></li>
</ul></div><div><a href="http://www.guardian.co.uk/profile/jonathanjones">Jonathan Jones</a></div><br />
<div><a href="http://www.guardian.co.uk/">guardian.co.uk</a> © Guardian News & Media Limited 2010 | Use of this content is subject to our <a href="http://users.guardian.co.uk/help/article/0,,933909,00.html">Terms & Conditions</a> | <a href="http://www.guardian.co.uk/help/feeds">More Feeds</a></div><div style="clear: both;"></div>"Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-79241665357825372822010-06-09T11:00:00.001-04:002010-06-09T11:02:31.294-04:00Tales of the City – Tagging Shoreditch and Beyond<a href="http://feedproxy.google.com/%7Er/blogspot/EYWY/%7E3/Hsl-W9884KI/tales-of-city-tagging-shoreditch-and.html">Tales of the City – Tagging Shoreditch and Beyond</a>: "Via the project <a href="http://www.talesofthings.com/">talesofthings.com</a> we have been capturing people’s memories of objects and playing them back via small readable and writeable QR codes and RFID tags. As part of the London Festival of Architecture 2010, Tales of the City extends the concept into the urban realm with the architecture of the city able to replay memories and its history.<br />
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<div style="clear: both; text-align: center;"><a href="http://www.lfa2010.org/event.php?id=263&name=tales_of_the_city_tagging_shoreditch_and_beyond" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="536" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyEgbTD4D4-y12xCpbJYq2Pn_F6lcy3pmyiuUxJpWsh-n2bCaW0-CLlrQxEveIGWXHXFzu54fhjqpOV6_7lMgMW067ONoCgwYMQP5xcCBdyNJ-wjSq5zfqiV924UvzlftgkeLOCCKzVeAL/s640/fesarch.png" width="640" /></a></div><br />
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The project will enable participants to add their own tales to buildings and view stories that other people have left. The project has been tagging architecture since its launch in April 2010, most notably Broadcasting House in Portland Place and a wall in Chalk Farm which when scanned replays how the wall used to look with a Banksy Stencil in place.<br />
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Tales of the City starts off with a pre-placed tag at the historic heart of Shoreditch, St Leonard's Church. From there you will be able to spot tags (QR codes) on Shoreditch High Street which you can add your own stories to, contributing to the growing network of tagged architecture.<br />
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This will enable people to form a personalised tour of London’s contemporary history through architecture. If you have an iPhone or an Android handset be sure to download our free app - talesofthings to enable you to leave comments on the QR codes, or create your own codes to put on your favourite buildings.<br />
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You can <a href="http://www.lfa2010.org/event.php?id=263&name=tales_of_the_city_tagging_shoreditch_and_beyond">become a follower of the project</a> over at the London Festival of Architecture page.<br />
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We will have more on Tales of the City next week...<br />
<div><img alt="" height="1" src="https://blogger.googleusercontent.com/tracker/9986652-6808532630054839031?l=digitalurban.blogspot.com" width="1" /></div><br />
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<a href="http://feeds.feedburner.com/%7Eff/blogspot/EYWY?a=Hsl-W9884KI:XstuLZ6Hx3Y:yIl2AUoC8zA"><img border="0" src="http://feeds.feedburner.com/%7Eff/blogspot/EYWY?d=yIl2AUoC8zA" /></a> <a href="http://feeds.feedburner.com/%7Eff/blogspot/EYWY?a=Hsl-W9884KI:XstuLZ6Hx3Y:dnMXMwOfBR0"><img border="0" src="http://feeds.feedburner.com/%7Eff/blogspot/EYWY?d=dnMXMwOfBR0" /></a> <a href="http://feeds.feedburner.com/%7Eff/blogspot/EYWY?a=Hsl-W9884KI:XstuLZ6Hx3Y:2mJPEYqXBVI"><img border="0" src="http://feeds.feedburner.com/%7Eff/blogspot/EYWY?d=2mJPEYqXBVI" /></a> <a href="http://feeds.feedburner.com/%7Eff/blogspot/EYWY?a=Hsl-W9884KI:XstuLZ6Hx3Y:V_sGLiPBpWU"><img border="0" src="http://feeds.feedburner.com/%7Eff/blogspot/EYWY?i=Hsl-W9884KI:XstuLZ6Hx3Y:V_sGLiPBpWU" /></a> <a href="http://feeds.feedburner.com/%7Eff/blogspot/EYWY?a=Hsl-W9884KI:XstuLZ6Hx3Y:7Q72WNTAKBA"><img border="0" src="http://feeds.feedburner.com/%7Eff/blogspot/EYWY?d=7Q72WNTAKBA" /></a> <a href="http://feeds.feedburner.com/%7Eff/blogspot/EYWY?a=Hsl-W9884KI:XstuLZ6Hx3Y:W1ccf-mKbkM"><img border="0" src="http://feeds.feedburner.com/%7Eff/blogspot/EYWY?d=W1ccf-mKbkM" /></a></div>"Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-41653787319327523122010-06-08T21:09:00.001-04:002010-06-08T21:10:53.330-04:00The Archigram Archival Project<a href="http://feedproxy.google.com/%7Er/InteractiveArchitectureDotOrg/%7E3/kK8JH7ZbP2E/the-archigram-archival-project.html">The Archigram Archival Project</a>: "<br />
<a href="http://www.interactivearchitecture.org/the-archigram-archival-project.html/picture-1" rel="attachment wp-att-1354"><img alt="" height="457" src="http://www.interactivearchitecture.org/2009/Picture-1-450x457.png" title="Picture 1" width="450" /></a><br />
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<a href="http://www.interactivearchitecture.org/the-archigram-archival-project.html/archigram" rel="attachment wp-att-1355"><img alt="" height="89" src="http://www.interactivearchitecture.org/2009/archigram.jpg" title="archigram" width="450" /></a><br />
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The<a href="http://archigram.westminster.ac.uk/index.php"> Archigram Archival Project </a>makes the work of the seminal architectural group Archigram available free online for public viewing and academic study. The project was run by EXP, an architectural research group at the University of Westminster. Archigram Began Life as a Magazine produced at home by the members of the group, showing experimental work to a growing, global audience. Nine (and a half) seminal, individually designed, hugely influential, and now very rare magazines were produced between 1961 and 1974. The last ‘half’ was an update on the group’s office work rather than a ‘full’ Archigram magazine. The Six Members of Archigram are Peter Cook, David Greene, Mike Webb, Ron Herron, Warren Chalk and Dennis Crompton. Cook, Greene and Webb met in 1961, collaborated on the first Archigram magazine, later inviting Herron, Chalk and Crompton to join them, and the magazine name stuck to them as a group. <br />
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<a href="http://www.interactivearchitecture.org/the-archigram-archival-project.html/archigram-story-1" rel="attachment wp-att-1356"><img alt="" height="427" src="http://www.interactivearchitecture.org/2009/Archigram-Story-1-450x427.jpg" title="Archigram Story-1" width="450" /></a><br />
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More Than 200 Projects are included in the Archigram Archival Project. The AAP uses the group’s mainly chronological numbering system and includes everything given an Archigram project number. This comprises projects done by members before they met, the Archigram magazines (grouped together at no. 100), the projects done by Archigram as a group between 1961 and 1974, and some later projects.<br />
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<a href="http://www.interactivearchitecture.org/the-archigram-archival-project.html/archigram-story-2" rel="attachment wp-att-1357"><img alt="" height="427" src="http://www.interactivearchitecture.org/2009/Archigram-Story-2-450x427.jpg" title="Archigram Story-2" width="450" /></a><br />
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<a href="http://www.interactivearchitecture.org/the-archigram-archival-project.html/archigram-story-6" rel="attachment wp-att-1361"><img alt="" height="427" src="http://www.interactivearchitecture.org/2009/Archigram-Story-6-450x427.jpg" title="Archigram Story-6" width="450" /></a><br />
"Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-88302311985707429652010-06-08T21:05:00.001-04:002010-06-08T21:08:20.827-04:00Common Boston Common Build Competition<a href="http://www.archdaily.com/63752/common-boston-common-build-competition/">Common Boston Common Build Competition</a>: "<br />
<img alt="" height="273" src="http://www.archdaily.com/wp-content/uploads/2010/06/1276033748-cbcb-logo-528x273.png" title="cbcb_logo" width="528" /><br />
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The <a href="http://www.commonboston.org/special-events/cbcb/">Common Boston Common Build</a> (CBCB) is a design competition that challenges participants to design and implement a project in response to real community needs. Held over 3 days during the Common Boston Community and Architecture Festival, the CBCB is open to teams and individuals from ALL disciplines and experience levels. Common Boston and LostInBoston have partnered to host this year’s event, focused to raise awareness of the built environment, improve wayfinding and inspire connections across Boston’s urban fabric.<br />
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Competitors will be asked to work with preselected sites as well as vocal neighborhood members to develop design solutions that address the specific physical and social needs of that community. The CBCB aims to prove that even when created in less than 3 days and with a capped budget, an innovative and influential response to a real problem can alter the way we interact with and understand the built environment of a community while seeking tangible benefits for its inhabitants.<br />
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For more information, go to the competition’s <a href="http://www.commonboston.org/special-events/cbcb/">official website</a>.<br />
"Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-11277706127156677872010-05-25T15:10:00.001-04:002010-05-26T14:49:12.360-04:00Cognitive Landscape 1 : Updated Documentation<object height="300" width="400"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=12056478&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=12056478&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="300"></embed></object><br />
<a href="http://vimeo.com/12056478">Cognitive Landscape 1 : Updated Documentation</a> from <a href="http://vimeo.com/davidbruce">David Bruce</a> on <a href="http://vimeo.com/">Vimeo</a>.Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-86306769314364843642010-04-17T13:12:00.002-04:002010-04-17T13:15:42.988-04:00Intersitial Experiment (1)<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQtsQKnlvxtzTBPx0YaWyh8HTC0ODcd_cKERL0ntALvpduguRcIK05ugUW2g9-RLXCv2ARX5zr6Rr-E3igpXqi0FvbG2GH-mEDC_gkD_psouIZR3AAE1BSC4PCtAVIArBAL1HMRqYDLl3O/s1600/19800101_0007.jpg"><img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 400px; height: 218px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQtsQKnlvxtzTBPx0YaWyh8HTC0ODcd_cKERL0ntALvpduguRcIK05ugUW2g9-RLXCv2ARX5zr6Rr-E3igpXqi0FvbG2GH-mEDC_gkD_psouIZR3AAE1BSC4PCtAVIArBAL1HMRqYDLl3O/s400/19800101_0007.jpg" alt="" id="BLOGGER_PHOTO_ID_5461155922249670162" border="0" /></a>Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com2tag:blogger.com,1999:blog-1227489795791661424.post-56955453098773022372010-02-22T11:48:00.001-05:002010-02-22T11:50:41.297-05:00Touchable Holograms<object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/Y-P1zZAcPuw&hl=en_US&fs=1&rel=0"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/Y-P1zZAcPuw&hl=en_US&fs=1&rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"></embed></object>See More At: <a href="http://www.itvt.com/story/5366/tokyo-university-researchers-using-ultrasound-technology-enable-touchable-holograms">www.itv.com</a>Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0tag:blogger.com,1999:blog-1227489795791661424.post-89514156237140282642010-02-13T12:54:00.002-05:002010-02-13T12:57:46.039-05:00N Building : Augmented Architectural Surfaces<object height="300" width="400"><param name="allowfullscreen" value="true"><param name="allowscriptaccess" value="always"><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=8468513&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1"><embed src="http://vimeo.com/moogaloop.swf?clip_id=8468513&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" height="300" width="400"></embed></object><p><a href="http://vimeo.com/8468513">N Building</a> from <a href="http://vimeo.com/user1859070">Alexander Reeder</a> on <a href="http://vimeo.com/">Vimeo</a>.</p><p>N Building is a commercial structure located near Tachikawa station amidst a shopping district. Being a commercial building signs or billboards are typically attached to its facade which we feel undermines the structures’ identity. As a solution we thought to use a QR Code as the facade itself. By reading the QR Code with your mobile device you will be taken to a site which includes up to date shop information. In this manner we envision a cityscape unhindered by ubiquitous signage and also an improvement to the quality and accuracy of the information itself.</p>Anonymoushttp://www.blogger.com/profile/06514581872141178962noreply@blogger.com0